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Description
The Crucifixion in Music studies the musical representation of words and the concepts and contexts to which words refer, examining the way the treatment of a literary text, namely the Crucifixus, coalesces into a recognizable musical tradition that individual composers follow, develop, modify, or ignore.
About the Author
Jasmin Melissa Cameron is lecturer in Music at the University of Aberdeen in Scotland. She has published articles on texted music in the late Baroque and Classical periods, and produced the recent edition of Vivaldi's Gloria RV 589 for the New Novello Choral Series.